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Names, Documents, and False Selves

Maigret and the Dead Girl

This flow traces the novel’s shifting identities and the power documents hold over people whose lives are difficult to verify.

increasingupBearing stren­gth in each eventdowndecreasing
Irène as a Shop NameIrène as a Shop Name from "Maigret and the Dead Girl". Irène as a Shop Name A Name for Business Elisabeth Coumar explains that she uses the name Irène because it sounds better in her line of work.
Irène as a Shop Name A Name for Business Elisabeth Coumar explains that she uses the name Irène because it sounds better in her line of work. Her public identity is a practical invention rather than a full account of who she is. A Useful Distinction The disclosure gives Maigret a small example of how names change meaning according to circumstance. In a world of rented rooms and night work, the name someone offers may be functional without being wholly false.
Louise Laboine’s Unverified NameLouise Laboine’s Unverified Name from "Maigret and the Dead Girl". Louise Laboine’s Unverified Name A Name Supplied to a Landlady Madame Crêmieux says that her lodger called herself Louise Laboine, but she never saw an…
Louise Laboine’s Unverified Name A Name Supplied to a Landlady Madame Crêmieux says that her lodger called herself Louise Laboine, but she never saw an identity card. The concierge also knows only the name used in the building. Identity as a Fragile Fact The police can recover a name without proving every part of a life. Louise is recognized through overlapping memories, while the document that could establish her identity becomes the object criminals seek.
A Marriage in Turkish PapersA Marriage in Turkish Papers from "Maigret and the Dead Girl". A Marriage in Turkish Papers The Paper Germaine Trusted Germaine believes that she married Julius Van Cram in Istanbul after signing papers and taking an oath.
A Marriage in Turkish Papers The Paper Germaine Trusted Germaine believes that she married Julius Van Cram in Istanbul after signing papers and taking an oath. The document remains the tangible proof of a relationship that otherwise survives through memory and letters. An Officially False Identity Authorities reject the paper when she seeks to renew her identity card. The document cannot support the name she has lived with, revealing how legal identity can diverge from intimate belief.
Van Cram’s Many AliasesVan Cram’s Many Aliases from "Maigret and the Dead Girl". Van Cram’s Many Aliases A File of Names Jules Maigret finds that Julius Van Cram is absent from the obvious files.
Van Cram’s Many Aliases A File of Names Jules Maigret finds that Julius Van Cram is absent from the obvious files. He instead uncovers records of Hans Ziegler and several other aliases used by an international swindler. A Person Hidden in Records The aliases explain why Germaine could not track the man who abandoned her. They also show how a name can be an instrument of mobility and evasion for a criminal with education, money, and access to multiple countries.
The Identity Card as a WeaponThe Identity Card as a Weapon from "Maigret and the Dead Girl". The Identity Card as a Weapon Proof Requested Jimmy O’Malley’s message requires Louise to prove who she is before receiving the money.
The Identity Card as a Weapon Proof Requested Jimmy O’Malley’s message requires Louise to prove who she is before receiving the money. The document that could help her claim an inheritance also tells criminals exactly what they must steal. The Cost of Verification Bianchi and Albert Falconi try to turn Louise’s official identity into another woman’s access to the hidden funds. The case makes the document both a means of recognition and a tool of impersonation.
When Maigret questions the dressmaker
During the inquiry at Rue de Clichy
Years after Julius disappears
The morning Maigret searches police records
At the murder and during the confession